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Gothic RenaissanceA reassessment$
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Elisabeth Bronfen and Beate Neumeier

Print publication date: 2014

Print ISBN-13: 9780719088636

Published to Manchester Scholarship Online: January 2015

DOI: 10.7228/manchester/9780719088636.001.0001

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Shakespeare, Ossian and the problem of ‘Scottish Gothic’

Shakespeare, Ossian and the problem of ‘Scottish Gothic’

Chapter:
(p.218) 12 Shakespeare, Ossian and the problem of ‘Scottish Gothic’
Source:
Gothic Renaissance
Author(s):

Dale Townshend

Publisher:
Manchester University Press
DOI:10.7228/manchester/9780719088636.003.0013

The political dimension of the construction of a Gothic Shakespeare in the eighteenth century is explored on a national scale in Dale Townshend’s historical analysis of the ‘complex relationship’ between the terms Scottish and Gothic. Distinguishing between a political and an aesthetic Gothicism, Townshend reads the construction of Scottish Gothic through a ‘phantasmatic projection’ of Shakespeare ‘as our British rather than English Gothic Bard’ in response to the ‘threat of Scottish nationalism’ embodied in Ossian as Scottish Bard. In this sense the rise of the Gothic novel is aptly linked to the ‘othering of Scotland’ in the latter part of the eighteenth century.

Keywords:   Scotland, Ossian, nation, nationalism, political Gothicism

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