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French Reflections in the Shakespearean TragicThree Case Studies$
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Richard Hillman

Print publication date: 2012

Print ISBN-13: 9780719087172

Published to Manchester Scholarship Online: May 2015

DOI: 10.7228/manchester/9780719087172.001.0001

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Introduction

Introduction

Chapter:
(p.1) 1 Introduction
Source:
French Reflections in the Shakespearean Tragic
Author(s):

Richard Hillman

Publisher:
Manchester University Press
DOI:10.7228/manchester/9780719087172.003.0001

This chapter provides a discussion of the book’s intertextual method and a survey of its contents. The relation between theory and practice is set out, and illustrations are given to show how unduly narrow ideas about an early modern dramatist’s use of sources may limit the range of meanings perceived by critics and potentially accessible to contemporary audiences. North’s Plutarch is introduced in relation to its French original, the translation by Jacques Amyot, and, particularly, to that translation’s edition by Simon Goulart. A soliloquy from Marlowe’s Doctor Faustus is approached by way of its recognised English (from German) source and a possible French one. The perennial question of Shakespeare’s knowledge of French is addressed, as is that of his possible access to more obscure, less obviously ‘literary’, French texts and contexts.

Keywords:   Theory, Practice, Intertextual method, Knowledge of French, Texts and contexts, Multiple sources, North’s Plutarch, Jacques Amyot, Simon Goulart, Marlowe’s Doctor Faustus

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