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Swedish crime fictionNovel, film, television$
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Steven Peacock

Print publication date: 2014

Print ISBN-13: 9780719086953

Published to Manchester Scholarship Online: May 2015

DOI: 10.7228/manchester/9780719086953.001.0001

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PRINTED FROM MANCHESTER SCHOLARSHIP ONLINE (www.manchester.universitypressscholarship.com). (c) Copyright Manchester University Press, 2019. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in MSO for personal use.date: 14 October 2019

Nation, Genre, Institution

Nation, Genre, Institution

Chapter:
(p.28) 1 Nation, Genre, Institution
Source:
Swedish crime fiction
Author(s):

Steven Peacock

Publisher:
Manchester University Press
DOI:10.7228/manchester/9780719086953.003.0002

The first chapter places the works in the historical contexts of Sweden’s past, the established generic formulae of the crime fiction, and of the country's entertainment industry. It considers Sweden’s uneasy situation as a small nation in the global age, disillusioned by the failure of a civic utopia, its isolationist reflexes tested by the ever-increasing encroachment of external influences. The chapter addresses the family history of Swedish crime works, and examines how the nation’s output taps into the established sub-genres, tropes and markers of the police procedural, detective drama, and amateur cop fiction. In turn, it considers the specific, industrial history of Sweden’s local and global cinematic enterprise, and its small-screen counterpart.

Keywords:   Nation, Genre, Institution, Industry

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