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As You Like It$
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Robert Shaughnessy

Print publication date: 2017

Print ISBN-13: 9780719086939

Published to Manchester Scholarship Online: May 2018

DOI: 10.7228/manchester/9780719086939.001.0001

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PRINTED FROM MANCHESTER SCHOLARSHIP ONLINE (www.manchester.universitypressscholarship.com). (c) Copyright Manchester University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in MSO for personal use.date: 26 July 2021

Woeful pageants

Woeful pageants

Chapter:
(p.159) Chapter VI Woeful pageants
Source:
As You Like It
Author(s):

Robert Shaughnessy

Publisher:
Manchester University Press
DOI:10.7228/manchester/9780719086939.003.0007

This chapter considers the screen history of the play, examining the major film versions (directed by Paul Czinner, 1936, Christine Edzard, 1992, and Kenneth Branagh, 2006) and the BBC-Time Life Television Shakespeare production of 1978. None of these has been particularly well-received by critics and audiences, and the chapter discusses their uneasy use of film and television realism to render the pastoral fantasy world of the play. The discussion of the BBC production draws upon the corporation’s audience research data to investigate what actual spectators made of it in the context of the late 1970s television viewing experience.

Keywords:   Television, Cinema, Realism, Audience, Laurence Olivier, Paul Czinner, Elisabeth Bergner, Kenneth Branagh, Christine Edzard, Helen Mirren

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