- Title Pages
- Figures
- Contributors
- Acknowledgements
- Introduction: the sense of the senses
-
1. Appropriations across disciplines: the future of art and anthropology collaborations1 -
2. Spiti: some notes on the practice of documentary photography -
3. Random Manhattan: thinking and moving beyond text -
4. Exile, the sorrow of time and place -
5. Boru-vedak (a work of lies): looking for Libeskind in Sri Lanka -
6. The saving face of death: anthropology and the scene of knowing -
7. Transplant -
8. Ochlophonic Study: Hong Kong -
9. The Castaways Project -
10. Air Pressure: a sound film -
11. Sounds from Dangerous Places: Chernobyl -
12. Contest Behaviour -
13. Films about ordinary people: the Japanese home drama and virtual ethnography -
14. Balkan Rhapsodies: 78 Measures of War -
15. Sweetgrass: ‘Baaaaaaah. Bleeeeeeet’ -
16. Cottonopolis: cinematography, ethnography, historiography and texture -
17. Christmas with Wawa: a video experiment with Yolngu aesthetics -
18. Sensing cultures: cinema, ethnography and the senses -
19. After cultural theory: the power of images, the lure of immediacy1 - Bibliography
- Index
- DVD contents
Films about ordinary people: the Japanese home drama and virtual ethnography
Films about ordinary people: the Japanese home drama and virtual ethnography
- Chapter:
- (p.127) 13. Films about ordinary people: the Japanese home drama and virtual ethnography
- Source:
- Beyond text?
- Author(s):
Catherine Russell
- Publisher:
- Manchester University Press
This chapter frames the Japanese cinema and TV genre of ‘home drama’ shomin-geki,, as a sensory mode of ethnography about ‘ordinary people’, which is nevertheless virtual—a phantasmagoria of cultural practices and feelings. Through a critical ‘reading against the grain’ of this genre and particularly the works of Naruse Mikio as examples of ‘vernacular modernism’, it shows how these films provides a valuable portrait of modern Japanese culture as it imagined itself to be.
Keywords: vernacular modernism, home drama, ordinary people, Japan, Naruse Mikio, cinema
Manchester Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.
Please, subscribe or login to access full text content.
If you think you should have access to this title, please contact your librarian.
To troubleshoot, please check our FAQs, and if you can't find the answer there, please contact us.
- Title Pages
- Figures
- Contributors
- Acknowledgements
- Introduction: the sense of the senses
-
1. Appropriations across disciplines: the future of art and anthropology collaborations1 -
2. Spiti: some notes on the practice of documentary photography -
3. Random Manhattan: thinking and moving beyond text -
4. Exile, the sorrow of time and place -
5. Boru-vedak (a work of lies): looking for Libeskind in Sri Lanka -
6. The saving face of death: anthropology and the scene of knowing -
7. Transplant -
8. Ochlophonic Study: Hong Kong -
9. The Castaways Project -
10. Air Pressure: a sound film -
11. Sounds from Dangerous Places: Chernobyl -
12. Contest Behaviour -
13. Films about ordinary people: the Japanese home drama and virtual ethnography -
14. Balkan Rhapsodies: 78 Measures of War -
15. Sweetgrass: ‘Baaaaaaah. Bleeeeeeet’ -
16. Cottonopolis: cinematography, ethnography, historiography and texture -
17. Christmas with Wawa: a video experiment with Yolngu aesthetics -
18. Sensing cultures: cinema, ethnography and the senses -
19. After cultural theory: the power of images, the lure of immediacy1 - Bibliography
- Index
- DVD contents