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American literature and Irish culture, 1910-55The politics of enchantment$
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Tara Stubbs

Print publication date: 2013

Print ISBN-13: 9780719084331

Published to Manchester Scholarship Online: September 2013

DOI: 10.7228/manchester/9780719084331.001.0001

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The legacy of Yeats’s poetic conviction

The legacy of Yeats’s poetic conviction

Chapter:
(p.164) Chapter 5 The legacy of Yeats’s poetic conviction
Source:
American literature and Irish culture, 1910-55
Author(s):

Tara Stubbs

Publisher:
Manchester University Press
DOI:10.7228/manchester/9780719084331.003.0006

In the modernist period, the ways in which American writers made use of Yeats differed from individual to individual: as each grappled with the impact of Yeats’s poetry and writings on their own work. This chapter therefore takes as its focus individual poets and critics who engaged directly with Yeats as man and poet. It considers, through Moore, the 1910s to early 1930s when his star was in the ascendant in America; through Berryman and Bogan, the mid to late 1930s when Yeats and others were contemplating his legacy; and through Deutsch, the decades immediately following his death. This biographical and critical framework allows for an assessment of influence as both direct and active – in the physical presence of the living (or recently dead) poet – and poetic and allusive, in the shadowing of the poet’s works in the works of the poets who follow him. But the story necessarily begins with the moment(s) that Yeats’s writings were first introduced to his American readers.

Keywords:   W. B. Yeats, Marianne Moore, John Berryman, Louise Bogan, Babette Deutsch, influence

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