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American literature and Irish culture, 1910-55The politics of enchantment$
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Tara Stubbs

Print publication date: 2013

Print ISBN-13: 9780719084331

Published to Manchester Scholarship Online: September 2013

DOI: 10.7228/manchester/9780719084331.001.0001

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Rural Ireland, mythmaking and transatlantic translation

Rural Ireland, mythmaking and transatlantic translation

Chapter:
(p.102) Chapter 3 Rural Ireland, mythmaking and transatlantic translation
Source:
American literature and Irish culture, 1910-55
Author(s):

Tara Stubbs

Publisher:
Manchester University Press
DOI:10.7228/manchester/9780719084331.003.0004

The efforts of the Celtic Revivalists had done much to persuade American writers that Ireland was a rural idyll – even if this was largely due to a fantastic reading of the Irish countryside and its inhabitants. When American modernists turn to the Irish landscape in their writing, therefore, we find a contemplation of this rural myth of Ireland that is by turns naïve and knowing, enchanted by the promise of a bucolic haven and either indulging knowingly in the construction of the myth or deriving pleasure from its unreality. This chapter describes how this preoccupation with the rural, and a comparative disinterest (or even disgust) in the urban, shaped the ways in which American poets including Moore, Bishop, Whitman and Stevens, and writers Bogan and Steinbeck, responded to, and translated, the Irish landscape within their works.

Keywords:   rural Ireland, mythmaking, landscape, Marianne Moore, Elizabeth Bishop, Walt Whitman, Wallace Stevens, Louise Bogan, Steinbeck

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