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Lindsay AndersonCinema authorship$
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John Izod, Alex Murray, and Kathryn Hannan

Print publication date: 2012

Print ISBN-13: 9780719083389

Published to Manchester Scholarship Online: May 2013

DOI: 10.7228/manchester/9780719083389.001.0001

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PRINTED FROM MANCHESTER SCHOLARSHIP ONLINE (www.manchester.universitypressscholarship.com). (c) Copyright Manchester University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in MSO for personal use.date: 17 June 2021

Lindsay Anderson in the archive: empirical, named and implied author

Lindsay Anderson in the archive: empirical, named and implied author

Chapter:
(p.290) 14 Lindsay Anderson in the archive: empirical, named and implied author
Source:
Lindsay Anderson
Author(s):

John Izod

Karl Magee

Kathryn Hannan

Isabelle Gourdin-Sangouard

Publisher:
Manchester University Press
DOI:10.7228/manchester/9780719083389.003.0014

This chapter examines Lindsay Anderson's reflections on his own authorship and his observations on the ‘auteur theory’. It discusses Anderson's collaborative work with David Sherwin in scriptwriting and his references on the importance of editing and music. The chapter also describes Anderson's experiences in Hollywood and the promotional strategies he employed for his films.

Keywords:   Lindsay Anderson, authorship, auteur theory, David Sherwin, editing, music, promotional strategies

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