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British films of the 1970s$
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Paul Newland

Print publication date: 2013

Print ISBN-13: 9780719082252

Published to Manchester Scholarship Online: May 2013

DOI: 10.7228/manchester/9780719082252.001.0001

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PRINTED FROM MANCHESTER SCHOLARSHIP ONLINE (www.manchester.universitypressscholarship.com). (c) Copyright Manchester University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in MSO for personal use.date: 19 September 2021

Close to the edge: peripheral Britain

Close to the edge: peripheral Britain

Chapter:
(p.171) 7 Close to the edge: peripheral Britain
Source:
British films of the 1970s
Author(s):

Paul Newland

Publisher:
Manchester University Press
DOI:10.7228/manchester/9780719082252.003.0008

This chapter explores the ways in which one particular film, The Shout, employs Dolby sound technology in order to evoke the boundaries of sanity and the edges of everyday, rational experience. The chapter then develops in order to examine the ways in which peripheral – often coastal - areas of Britain are employed in films of the 1970s as a space in which peculiar, uncanny activities are seen to be taking place. These films - such as Neither the Sea nor the Sand, Straw Dogs and Doomwatch - are placed within the contexts of a rapidly modernizing nation. As such, this chapter notices how far events such as the construction of motorways in England apparently shifted widely-held conceptions of the apparent ‘Otherness’ of rural and coastal communities.

Keywords:   The Shout, Film sound, Coastal films, Dolby sound, South West England, Motorways

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