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Co-Memory and MelancholiaIsraelis Memorialising the Palestinian Nakba$
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Ronit Lentin

Print publication date: 2010

Print ISBN-13: 9780719081705

Published to Manchester Scholarship Online: July 2012

DOI: 10.7228/manchester/9780719081705.001.0001

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Historicising the Nakba: contested Nakba narratives as an ongoing process1

Historicising the Nakba: contested Nakba narratives as an ongoing process1

Chapter:
(p.106) 6 Historicising the Nakba: contested Nakba narratives as an ongoing process1
Source:
Co-Memory and Melancholia
Author(s):

Ronit Aaron

Publisher:
Manchester University Press
DOI:10.7228/manchester/9780719081705.003.0006

This chapter addresses the revisionist histories of the 1948 war, spearheaded in the 1980s by historians Benny Morris and Avi Shlaim, and political scientist Ilan Pappe. It places the Nakba accounts of the Israeli ‘new historians’ with Palestinian narrations of the Nakba. It then moves to literary forms of Israeli Nakba commemoration and discursive representation. It briefly describes some accounts of the Nakba in Israeli literary narratives, from the early 1948 generation melancholic writings to works by contemporary writers these narratives gave their Palestinian protagonists a voice. Pappe is exceptional among Israelis writing on the history of 1948 in reciprocating. The waves of Palestinian Nakba historiography are explored. Moreover, it explains Osmosis by Eshkol Nevo and La Maison Dajani by Alon Hilu. Yosefa Loshitzky's discussion of victimhood as the main component of Israeli identity focuses on melancholia.

Keywords:   Israeli Nakba, Palestinian Nakba, Benny Morris, Avi Shlaim, Ilan Pappe, Osmosis, La Maison Dajani, Eshkol Nevo, Alon Hilu

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