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Lukácsian film theory and cinemaA study of Georg Lukács’ writings on film, 1913-71$
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Ian Aitken

Print publication date: 2012

Print ISBN-13: 9780719078842

Published to Manchester Scholarship Online: May 2013

DOI: 10.7228/manchester/9780719078842.001.0001

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PRINTED FROM MANCHESTER SCHOLARSHIP ONLINE (www.manchester.universitypressscholarship.com). (c) Copyright Manchester University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in MSO for personal use.date: 05 August 2021

‘Expression of Thought in Film’1

‘Expression of Thought in Film’1

(p.256) 14 ‘Expression of Thought in Film’1
Lukácsian film theory and cinema
Manchester University Press

This chapter presents the responses of Georg Lukács to Yvette Biró's questions on his thoughts about Diecimila soli', a film by Ferenc Kósa (1967), and La Guerra è finita [The War Is Over (1966)], by Alain Resnais and Jorge Semprun.

Keywords:   Georg Lukács, Yvette Biró', Diecimila soli', Ferenc Kósa, La Guerra è finita, The War Is Over, Alain Resnais, Jorge Semprun

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