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Julio Medem$
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Rob Stone

Print publication date: 2007

Print ISBN-13: 9780719072000

Published to Manchester Scholarship Online: July 2012

DOI: 10.7228/manchester/9780719072000.001.0001

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Framing fearful symmetry: La pelota vasca: la piel contra la piedra (2003)

Framing fearful symmetry: La pelota vasca: la piel contra la piedra (2003)

(p.178) 8 Framing fearful symmetry: La pelota vasca: la piel contra la piedra (2003)
Julio Medem

Rob Stone

Manchester University Press

This chapter deals with Julio Medem's film La pelota vasca, which is a documentary about the Basque nationalist movement in Spain. La pelota vasca is a polyphonic patchwork of speakers on this subject, whose range of perspectives and depth of feeling are interwoven in an inclusive montage that, in terms of finding a solution, is both open minded and, inevitably, open ended. Medem assembled the documentary by dividing out the pieces in sections. Its analysis takes into account the history of filmmaking in the Basque Country, wherein the union of political thought and action with film theory and practice propagated a forceful faith in documentary as an instrument of record and propaganda that contributed to a cultural offensive against the conventions of the centralised film industry during and after the dictatorship. The polemic made La pelota vasca the most commercially successful documentary in the history of Spanish cinema.

Keywords:   La pelota vasca, Basque nationalist movement, Spain, montage, Basque country, Spanish cinema

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