Jump to ContentJump to Main Navigation
Julio Medem$
Users without a subscription are not able to see the full content.

Rob Stone

Print publication date: 2007

Print ISBN-13: 9780719072000

Published to Manchester Scholarship Online: July 2012

DOI: 10.7228/manchester/9780719072000.001.0001

Show Summary Details
Page of

PRINTED FROM MANCHESTER SCHOLARSHIP ONLINE (www.manchester.universitypressscholarship.com). (c) Copyright Manchester University Press, 2020. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in MSO for personal use.date: 22 January 2020

Eyes that entangle: La ardilla roja (1993)

Eyes that entangle: La ardilla roja (1993)

(p.68) 4 Eyes that entangle: La ardilla roja (1993)
Julio Medem

Rob Stone

Manchester University Press

This chapter describes the film La ardilla roja, which is about a suicidal ex-rocker called J who takes advantage of Sofía's amnesia to convince her to be his girlfriend. It discusses the process of scripting, casting, shooting and editing the film. Medem made his cast understand the subjective truths of their fabricated characters by endowing them with genuine emotion. La ardilla roja, which was shot in nine weeks on a budget of 200 million pesetas, was ultimately to be screened at Cannes. Medem designed a fresh, natural look for the film that affected a realistic contrast to the subjectivities of the protagonists and the range of flamboyant point-of-view shots underwater, inside jukeboxes, from the perspective of the squirrel. Having initially gone begging for an American distributor, La ardilla roja was eventually sold to ancillary markets in twenty-seven countries, including all of Europe, New Zealand, Australia, Hong Kong and Cuba.

Keywords:   La ardilla roja, Medem, subjective truth, Cannes, distributor

Manchester Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.

Please, subscribe or login to access full text content.

If you think you should have access to this title, please contact your librarian.

To troubleshoot, please check our FAQs, and if you can't find the answer there, please contact us.