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Alan Clarke$
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Dave Rolinson

Print publication date: 2011

Print ISBN-13: 9780719068300

Published to Manchester Scholarship Online: July 2012

DOI: 10.7228/manchester/9780719068300.001.0001

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The director in television's ‘studio system’

The director in television's ‘studio system’

Chapter:
(p.10) 1 The director in television's ‘studio system’
Source:
Alan Clarke
Author(s):

Alan Clarke

Publisher:
Manchester University Press
DOI:10.7228/manchester/9780719068300.003.0011

This chapter explores Alan Clarke's emergence as a director in a writer's medium. It begins with a sketch of his background and early theatre work, comparing these with the backgrounds of others of his generation to establish the social contexts that shaped Clarke's thematic concerns and the television landscape around him. Subsequently, the chapter traces his developing technique by looking at several plays that he made for ITV in the 1960s and the BBC in the early 1970s. Furthermore, it examines the extent to which the distinctiveness of Clarke's work is restricted by the institutional expectation that directors ‘serve’ the scripts of a variety of writers. His work features emerging signs of thematic and stylistic continuities, including a concern with the representative capacity of form in the telling of his protagonists' stories. The chapter concludes with the example of Penda's Fen, which was described by W. Stephen Gilbert (1990) as ‘one of the most remarkable achievements in all television drama’.

Keywords:   television landscape, television drama, scripts, writers, theatre work

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