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Being BoysYouth, Leisure and Identity in the Inter-war Years$
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Melanie Tebbut

Print publication date: 2012

Print ISBN-13: 9780719066139

Published to Manchester Scholarship Online: September 2012

DOI: 10.7228/manchester/9780719066139.001.0001

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Dancing and gender

Dancing and gender

Chapter:
(p.201) 6 Dancing and gender
Source:
Being Boys
Author(s):

Melanie Tebbutt

Publisher:
Manchester University Press
DOI:10.7228/manchester/9780719066139.003.0007

Chapter 6 asks how youthful masculinities were performed, constructed and contested in sexualised leisure locales such as the dance hall – like letters to advice columnists, an expressive outlet more usually perceived in relation to young women. It traces the implications of how social dancing changed over the interwaryears, from that of the 1920s, which subverted traditional notions of male physicality, to the shaping effects of the sexualising modernity increasingly apparent in the 1930s. The exhibitions and inhibitions of these dance hall cultures reinforced and contested traditional gender expectations and assumptions. Social dancing presented a disturbing ‘otherness’ of gender, race and class which challenged traditional notions of masculinity and Englishness, as was apparent in the dance profession's attempts to restrain the easy-going ‘oppositional’ spontaneity of dance styles in the 1920s with dignity and manly restraint. Concerns about dancing reflected the same worries about eroding traditional values so apparent in the boys' club movement, and both moral and commercial interests sought to regulate it for their own reasons, although young men's relationship with social dancing was more varied than is often assumed.

Keywords:   Dancing, Masculinity, Modernity, Leisure, Dance halls, Class, Anxiety

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