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Anthony Asquith$
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Tom Ryall

Print publication date: 2011

Print ISBN-13: 9780719064524

Published to Manchester Scholarship Online: July 2012

DOI: 10.7228/manchester/9780719064524.001.0001

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Post-war films 2 – adaptation and the theatre

Post-war films 2 – adaptation and the theatre

Chapter:
(p.121) 6 Post-war films 2 – adaptation and the theatre
Source:
Anthony Asquith
Author(s):

Tom Ryall

Publisher:
Manchester University Press
DOI:10.7228/manchester/9780719064524.003.0019

This chapter examines the directorial image of Anthony Asquith that was built upon ‘filmed theatre’ during the late 1940s and through the 1950s. For him the theatre played a major role, with eight of the seventeen feature films he directed between 1947 and his final film in 1964 based on stage plays of various kinds. It was this kind of film that played a key role in Asquith's image as a director, often to his detriment. As a skilled adapter of stage drama, with a number of films based on the plays of Wilde, Shaw, and Rattigan, among others, Asquith acquired a reputation as a metteur-en-scène rather than an auteur. He appeared to have secured his artistic emancipation early in his career but to have succumbed subsequently to theatrical enslavement as a translator of the work of dramatists. Analysis of passages from the films certainly indicates a ‘reimagining’ in terms of cinema; however, close elements from the play – the dialogue – survive the journey to the screen.

Keywords:   directorial image, filmed theatre, stage plays, skilled adapter, stage drama, reimagining, artistic emancipation

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