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Anthony Asquith$
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Tom Ryall

Print publication date: 2011

Print ISBN-13: 9780719064524

Published to Manchester Scholarship Online: July 2012

DOI: 10.7228/manchester/9780719064524.001.0001

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PRINTED FROM MANCHESTER SCHOLARSHIP ONLINE (www.manchester.universitypressscholarship.com). (c) Copyright Manchester University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in MSO for personal use.date: 19 September 2021

Wartime British cinema

Wartime British cinema

(p.69) 4 Wartime British cinema
Anthony Asquith

Tom Ryall

Manchester University Press

This chapter explores the films directed by Asquith during the Second World War. French Without Tears was released late in 1939, a few months after the outbreak of the war, but the film showed no trace of the turbulent context into which it was released. However, it was not long before Asquith threw himself into the war effort and started making films that drew directly on the war. Freedom Radio (1940), his first war-related film, was a large-scale production made for the Two Cities company. Asquith's next film – Quiet Wedding (1940) – was for the Paramount company and was a box-office success. In 1941, Asquith rejoined Gaumont-British and directed three war films: Cottage to Let (1941), Uncensored (1942) and We Dive at Dawn (1943). He returned to Two Cities, where he directed two war pictures: The Demi-Paradise (1943) and The Way to the Stars (1945). In common with many directors of the time, Asquith also made a number of propaganda documentary dramas for the Ministry of Information.

Keywords:   Second World War, war films, documentary dramas, Ministry of information, French Without Tears, box-office success, making films, war pictures

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