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Postcolonial ContraventionsCultural Readings of Race, Imperialism and Transnationalism$
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Laura Chrisman

Print publication date: 2003

Print ISBN-13: 9780719058271

Published to Manchester Scholarship Online: July 2012

DOI: 10.7228/manchester/9780719058271.001.0001

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Gendering imperialism: Anne McClintock and H. Rider Haggard

Gendering imperialism: Anne McClintock and H. Rider Haggard

(p.39) 2 Gendering imperialism: Anne McClintock and H. Rider Haggard
Postcolonial Contraventions

Laura Chrisman

Manchester University Press

TThis chapter emphasizes gendering imperialism by referring to the work of Anne McClintock and H. Rider Haggard, focusing on McClintock's celebrated Imperial Leather discussion of Haggard's popular and influential imperialist Victorian romance King Solomon's Mines. It depicts the quest for treasure in southern Africa by three British adventurers, who also restore the ‘rightful’ heir to the throne of an African kingdom. The chapter also focuses on the way McClintock analyses the dynamics of labour and degeneration, and explores the political implications of her approach. McClintock suggests that King Solomon's Mines is an allegory of colonial power; specifically, that the novel allegorizes colonial appropriation of African women's reproductive and productive labour. She presents a version of women's reproductive capability in which women are menacingly powerful, regardless of whether they exercise any material control over the reproductive and productive activities of themselves or others.

Keywords:   gendering imperialism, colonial power, African women, African kingdom, colonial power, African women's reproductive capability, productive labour

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