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Dancing in the English StyleConsumption, Americanisation and National Identity in Britain, 1918-50$
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Allison Abra

Print publication date: 2017

Print ISBN-13: 9781784994334

Published to Manchester Scholarship Online: January 2018

DOI: 10.7228/manchester/9781784994334.001.0001

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(p.257) Epilogue Come dancing – popular dance in post-war Britain

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Source:
Dancing in the English Style
Author(s):

Allison Abra

Publisher:
Manchester University Press
DOI:10.7228/manchester/9781784994334.003.0010

The epilogue reflects on popular dance in the post-war years. After the war, going to the palais remained as popular as ever, but the dances performed within the dance halls continued their long evolution. Following on some of the individualised and independent movements introduced by the jitterbug, modern ballroom dancing slowly began to give way to new dances which could be performed without a partner, or which better accompanied rock n’ roll and later disco. Owing to their particular focus on ballroom dance, the dance profession began the modern dance era with arguably more cultural influence than the dance hall industry, but those positions had clearly undergone a switch by the 1950s. Ballroom dancing eventually became a niche professional art form, while many of the 1920s dance halls continued to operate for decades after their establishment, even as they faced new challenges of their own.

Keywords:   Dance hall, English style, Profession, Jive, War

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