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Engendering an avant-gardeThe unsettled lansdcapes of Vancouver photo-conceptualism$
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Leah Modigliani

Print publication date: 2018

Print ISBN-13: 9781526101198

Published to Manchester Scholarship Online: September 2018

DOI: 10.7228/manchester/9781526101198.001.0001

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PRINTED FROM MANCHESTER SCHOLARSHIP ONLINE (www.manchester.universitypressscholarship.com). (c) Copyright Manchester University Press, 2018. All Rights Reserved. Under the terms of the licence agreement, an individual user may print out a PDF of a single chapter of a monograph in MSO for personal use (for details see www.manchester.universitypressscholarship.com/page/privacy-policy).date: 13 December 2018

Feminist theoretical and visual challenges to modernist representation

Feminist theoretical and visual challenges to modernist representation

Chapter:
(p.192) 6 Feminist theoretical and visual challenges to modernist representation
Source:
Engendering an avant-garde
Author(s):

Leah Modigliani

Publisher:
Manchester University Press
DOI:10.7228/manchester/9781526101198.003.0007

The international and local feminist avant-garde of the 1970s is discussed in Chapter 6. Vancouver women’s rejection of canonical art history, their development of alternative distribution and exhibition systems for promoting artwork, and their psychoanalytic critique of the male gaze all implicitly challenged the legitimacy of the theoretical and historical project of Vancouver photo-conceptualism. These threats would thus be selectively integrated into the new male-authored photography. Historical and contemporary critical responses to Marian Penner Bancroft and Liz Magor’s work are also analysed, which through contrary-example further establishes the male-gendered character of avant-garde discourse formation in Vancouver.

Keywords:   1970s, feminist, avant-garde, Griselda Pollock, Laura Mulvey, Women in Focus, Vancouver, photo-conceptualism, Marian Penner Bancroft, Liz Magor

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