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Engendering an avant-gardeThe unsettled lansdcapes of Vancouver photo-conceptualism$
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Leah Modigliani

Print publication date: 2018

Print ISBN-13: 9781526101198

Published to Manchester Scholarship Online: September 2018

DOI: 10.7228/manchester/9781526101198.001.0001

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Myth and the ‘home culture concept’

Myth and the ‘home culture concept’

Chapter:
(p.86) 3 Myth and the ‘home culture concept’
Source:
Engendering an avant-garde
Author(s):

Leah Modigliani

Publisher:
Manchester University Press
DOI:10.7228/manchester/9781526101198.003.0004

Jeff Wall and Ian Wallace’s rejection of ‘home’ and ‘homeland,’ and the primacy of the manifesto as an important polemical tool in framing one’s work, are explored in Chapter 3 in relation to Wall’s art history master’s thesis on the Berlin Dada group, which established “myth” as an anti-critical cultural practice that was broadly applied to much of the cultural activity then active in Vancouver. Vancouver’s seeming “lack of history,” the existence of back-to-the-land intentional communities living outside of the urban centre, the proliferation of other performance and media based art groups, and the influence of visiting American artist Robert Smithson’s earthworks are all examined as cultural expressions deemed a-historical or romantic by photo-conceptualists.

Keywords:   Homeland, domestic, myth, Dada, avant-garde, Jeff Wall, Emily Carr, Robert Smithson, counter-culture, manifesto

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