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Regarding the RealCinema, documentary, and the visual arts$
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Des O'Rawe

Print publication date: 2016

Print ISBN-13: 9780719099663

Published to Manchester Scholarship Online: May 2016

DOI: 10.7228/manchester/9780719099663.001.0001

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PRINTED FROM MANCHESTER SCHOLARSHIP ONLINE (www.manchester.universitypressscholarship.com). (c) Copyright Manchester University Press, 2018. All Rights Reserved. Under the terms of the licence agreement, an individual user may print out a PDF of a single chapter of a monograph in MSO for personal use (for details see www.manchester.universitypressscholarship.com/page/privacy-policy).date: 21 November 2018

One plus one (p.m.)

One plus one (p.m.)

Chapter:
(p.111) 5 One plus one (p.m.)
Source:
Regarding the Real
Author(s):

Des O’Rawe

Publisher:
Manchester University Press
DOI:10.7228/manchester/9780719099663.003.0006

This chapter focuses on the work of Jean-Luc Godard during 1968, and examines his interest in the radical potential of a new alliance or cultural front involving cinema and other contemporary visual art forms. Godard's projects during this period – especially, his film maudit, One Plus One – are characterised by a series of investigations into, and subversions of, the conventions of the documentary, especially in relation to television journalism and news coverage, where an increasingly stylised form of reportage-realism articulated the mass media's antagonism towards the cause of the students, strikers, and activists.

Keywords:   Jean-Luc Godard, The Rolling Stones, Gérard Fromanger, May'68, One Plus One, Black Panthers, London in the Sixties, 1 P.M.

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