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Regarding the RealCinema, documentary, and the visual arts$
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Des O'Rawe

Print publication date: 2016

Print ISBN-13: 9780719099663

Published to Manchester Scholarship Online: May 2016

DOI: 10.7228/manchester/9780719099663.001.0001

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One plus one (p.m.)

One plus one (p.m.)

(p.111) 5 One plus one (p.m.)
Regarding the Real

Des O’Rawe

Manchester University Press

This chapter focuses on the work of Jean-Luc Godard during 1968, and examines his interest in the radical potential of a new alliance or cultural front involving cinema and other contemporary visual art forms. Godard's projects during this period – especially, his film maudit, One Plus One – are characterised by a series of investigations into, and subversions of, the conventions of the documentary, especially in relation to television journalism and news coverage, where an increasingly stylised form of reportage-realism articulated the mass media's antagonism towards the cause of the students, strikers, and activists.

Keywords:   Jean-Luc Godard, The Rolling Stones, Gérard Fromanger, May'68, One Plus One, Black Panthers, London in the Sixties, 1 P.M.

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