Jump to ContentJump to Main Navigation
The cinema of Oliver StoneArt, authorship and activism$
Users without a subscription are not able to see the full content.

Ian Scott and Henry Thompson

Print publication date: 2016

Print ISBN-13: 9780719099168

Published to Manchester Scholarship Online: January 2017

DOI: 10.7228/manchester/9780719099168.001.0001

Show Summary Details
Page of

PRINTED FROM MANCHESTER SCHOLARSHIP ONLINE (www.manchester.universitypressscholarship.com). (c) Copyright Manchester University Press, 2018. All Rights Reserved. Under the terms of the licence agreement, an individual user may print out a PDF of a single chapter of a monograph in MSO for personal use (for details see http://www.manchester.universitypressscholarship.com/page/privacy-policy).date: 21 August 2018

Conclusion

Conclusion

Chapter:
(p.231) Conclusion
Source:
The cinema of Oliver Stone
Author(s):

Ian Scott

Henry Thompson

Publisher:
Manchester University Press
DOI:10.7228/manchester/9780719099168.003.0007

The chapter notes that Stone’s interests in social critique and politics have carried him some way ahead of art and commerce into the territory that can best be summed up as activism. Each of his films has been a piece of crafted drama with a range of distinctive attributes related to narrative and photography acting as a baseline for Stone’s auteur brand. What is striking, however, in the second period of his career, is the way those core elements of the auteur brand did not merely become retroactive career artefacts for a media narrative seeing his auteur heyday as belonging to the past. Stone’s auteurism acted instead as a platform for a political discourse that retained as much urgency and purpose as films like Salvador and JFK had in his early career.

Keywords:   Stone, activism, surveillance, Snowden, hope

Manchester Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.

Please, subscribe or login to access full text content.

If you think you should have access to this title, please contact your librarian.

To troubleshoot, please check our FAQs, and if you can't find the answer there, please contact us.