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Gothic RenaissanceA reassessment$
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Elisabeth Bronfen and Beate Neumeier

Print publication date: 2014

Print ISBN-13: 9780719088636

Published to Manchester Scholarship Online: January 2015

DOI: 10.7228/manchester/9780719088636.001.0001

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Yorick’s skull

Yorick’s skull

Chapter:
(p.17) 1 Yorick’s skull
Source:
Gothic Renaissance
Author(s):

John Drakakis

Publisher:
Manchester University Press
DOI:10.7228/manchester/9780719088636.003.0002

The point of departure of John Drakakis’ investigation of notions of death and decay is Shakespeare’s Hamlet. Drakakis takes the use of a real skull in Gregory Doran’s RSC production of the play (2008) as the starting-point for a discussion of the implications of rereading the Renaissance through the history of the Gothic in terms of the current obsession with notions of death, material and virtual reality. Drawing on a wide variety of Renaissance writers including Donne, Webster and Middleton as well as on Gothic novelists such as Horace Walpole, Ann Radcliffe and Isabella Kelly, he discusses possible connections and their legitimacy in connection to theoretical approaches from Freud to Bataille and Derrida.

Keywords:   death, skull, Hamlet, Gothic literature

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