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Fleshing Out SurfacesSkin in French Art and Medicine, 1650-1850$
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Mechthild Fend

Print publication date: 2017

Print ISBN-13: 9780719087967

Published to Manchester Scholarship Online: May 2017

DOI: 10.7228/manchester/9780719087967.001.0001

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Introduction

Introduction

Chapter:
(p.1) 1 Introduction
Source:
Fleshing Out Surfaces
Author(s):

Mechthild Fend

Publisher:
Manchester University Press
DOI:10.7228/manchester/9780719087967.003.0001

The chapter introduces questions of skin and flesh tones via a discussion of Pedro Almódovar's 2011 film The Skin I live in. The film suggests a number of themes that are pertinent to this book: skin and identity; the relations between inside and outside; the nude and its colour; artificial skin and fantasies of the human creation of life; skin, touch and the haptic potential of vision; finally, the relationship between skin's role as a medium and the mediality of the image; issues of the colour of the nude and the longstanding association of skin, flesh and colour. The introduction also situates the book within the most relevant art historical studies on skin, flesh and the materiality of the image as well as within the scholarly field of the history of the body and of skin.

Keywords:   colour, film, flesh tones, history of the body, materiality, mediality, skin, skin colour, touch, Almódovar, Pedro

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