Jump to ContentJump to Main Navigation
Dangerous bodiesHistoricising the gothic corporeal$
Users without a subscription are not able to see the full content.

Marie Mulvey-Roberts

Print publication date: 2016

Print ISBN-13: 9780719085413

Published to Manchester Scholarship Online: September 2016

DOI: 10.7228/manchester/9780719085413.001.0001

Show Summary Details
Page of

PRINTED FROM MANCHESTER SCHOLARSHIP ONLINE (www.manchester.universitypressscholarship.com). (c) Copyright Manchester University Press, 2018. All Rights Reserved. Under the terms of the licence agreement, an individual user may print out a PDF of a single chapter of a monograph in MSO for personal use (for details see www.manchester.universitypressscholarship.com/page/privacy-policy).date: 19 September 2018

Catholicism, the Gothic and the bleeding body

Catholicism, the Gothic and the bleeding body

Chapter:
(p.14) 1 Catholicism, the Gothic and the bleeding body
Source:
Dangerous bodies
Author(s):

Marie Mulvey-Roberts

Publisher:
Manchester University Press
DOI:10.7228/manchester/9780719085413.003.0002

Chapter 1 revisits the orthodox position that the tradition of Gothic writing is anti-Catholic. Even though Horace Walpole, author of The Castle of Otranto, was a Member of Parliament, belonging to the Church of England, his attitudes towards Catholicism were ambiguous. This is significant for a neglected reading of his novel, relating to the Henrician Reformation, which brought about the secession of Britain from Rome. The Catholic Church, when it came to be regarded as the enemy, was perceived as an institutional dangerous body, in which the Other was subjected to intense and relentless persecution, involving torture and execution. The novel of Inquisition will be put to the question over whether its ostensible opposition to Catholicism masked different agendas much nearer home. The bleeding body, as a site of the sacred and profane, opens up a conduit for reassessing religious attitudes of various Protestant Gothic novelists. In Matthew Lewis’s The Monk, the character of the Bleeding Nun will be discussed as a parody of the mystical stigmatic within Catholic tradition. Her blood line of demonic stigmatics will be traced from Lewis and his imitators up to Bram Stoker’s Dracula.

Keywords:   Inquisition, Otranto, Bleeding Nuns, French Revolution

Manchester Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.

Please, subscribe or login to access full text content.

If you think you should have access to this title, please contact your librarian.

To troubleshoot, please check our FAQs, and if you can't find the answer there, please contact us.