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A familiar compound ghostAllusion and the Uncanny$
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Sarah Annes Brown

Print publication date: 2012

Print ISBN-13: 9780719085154

Published to Manchester Scholarship Online: May 2013

DOI: 10.7228/manchester/9780719085154.001.0001

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Uncanny doubles: part two

Uncanny doubles: part two

Chapter:
(p.51) 3 Uncanny doubles: part two
Source:
A familiar compound ghost
Author(s):

Sarah Annes Brown

Publisher:
Manchester University Press
DOI:10.7228/manchester/9780719085154.003.0003

This chapter charts the progress of the Doppelgänger in later twentieth- and twenty-first-century fiction. As the genre established itself more securely, the possibilities for complex allusive doubling and redoubling became greater. Some recent writers, such as Sarah Waters and Will Self, find Doppelgängers in their Victorian predecessors. Others, such as Bret Easton Ellis, respond to the doubles created by their near contemporaries, while Christopher Priest's characters, like those of Daphne du Maurier, seem to be the uncanny doubles of his own earlier creations. The chapter furthermore argues that the clone may also come into play as a science-fictional subtype of the double as uncanny allusion marker when many earlier texts are being referenced.

Keywords:   allusive doubling, Doppelgänger, uncanny doubles, uncanny allusion marker

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