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This EnglandEssays on the English Nation and Commonwealth in the Sixteenth Century$
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Patrick Collinson

Print publication date: 2011

Print ISBN-13: 9780719084423

Published to Manchester Scholarship Online: July 2012

DOI: 10.7228/manchester/9780719084423.001.0001

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Truth, lies and fiction in sixteenth-century Protestant historiography

Truth, lies and fiction in sixteenth-century Protestant historiography

Chapter:
(p.216) Chapter 8 Truth, lies and fiction in sixteenth-century Protestant historiography
Source:
This England
Author(s):

Patrick Collinson

Publisher:
Manchester University Press
DOI:10.7228/manchester/9780719084423.003.0009

John Foxe had a great deal to say on the subject of ‘truth’. But he was accused by his religious opponents of telling lies on an unprecedented scale. Like his friend and mentor, John Bale, he was a myth-maker. In approaching the question of truth, and of different orders or kinds of truth, as well as the distinctions to be made between truth and falsehood, fact and fiction, this chapter begins with Sir Philip Sidney's Apologie for Poetrie. According to Sidney, history claimed to stand for truth and the practical and ethical value of historical truth. The case as it concerns sixteenth-century literary and subliterary tastes and genres can be illustrated at random from the titles of relatively ephemeral products of the Elizabethan and early Stuart press, in which reports, however improbable and unreliable, were presented to the gullible reader as ‘true’ and fully attested.

Keywords:   John Foxe, myth-maker, John Bale, Philip Sidney, Apologie for Poetrie, falsehood, historical truth

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