British films of the 1970s
British films of the 1970s
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Abstract
British Films of the 1970s offers fresh critical insights into a diverse range of films including Carry On Girls, O Lucky Man!, Radio On, Winstanley, Cromwell, Akenfield, Requiem for a Village, That’ll Be the Day, Pressure, The Shout, The Long Good Friday and The Offence. The book sets out to obtain a clearer understanding of two things – the fragmentary state of the filmmaking culture of the period, and the fragmentary nature of the nation that these films represent. This book shows us that British films of the period – often hybridised in terms of genre - mediate an increasingly diverse and contested culture. It argues that there is no singular narrative to be drawn about British cinema of the 1970s, other than the fact that films of the period offer evidence of a Britain (and ideas of Britishness) characterised by vicissitudes. But the book demonstrates that while the 1970s in British filmmaking (but also in British culture and society) was a period of struggle and instability, it was also a period of openings, of experiment, of new ideas, and, as such, of profound change. The book will be of interest to scholars working on British film history but also British socio-cultural history and geography. It will appeal to academics, postgraduate and undergraduate students. But it has also been written in a style that will make it accessible to the general reader.
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Front Matter
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Introduction
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1
Equality or bust: sexual politics
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2
On the road: British journeys
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3
The songs remain the same: pop, rock and war children
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4
Immigrant songs: racial politics
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5
In memoriam: the past in the present/the present in the past
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6
Rural rides: the countryside and modernity
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7
Close to the edge: peripheral Britain
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8
Old cities, new towns: criminality and cruelty
- Conclusion
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End Matter
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