Jump to ContentJump to Main Navigation
Popular Culture and Working-Class Taste in Britain, 1930-39A Round of Cheap Diversions?$
Users without a subscription are not able to see the full content.

Robert James

Print publication date: 2010

Print ISBN-13: 9780719080258

Published to Manchester Scholarship Online: July 2012

DOI: 10.7228/manchester/9780719080258.001.0001

Show Summary Details
Page of

PRINTED FROM MANCHESTER SCHOLARSHIP ONLINE (www.manchester.universitypressscholarship.com). (c) Copyright Manchester University Press, 2017. All Rights Reserved. Under the terms of the licence agreement, an individual user may print out a PDF of a single chapter of a monograph in MSO for personal use (for details see http://www.manchester.universitypressscholarship.com/page/privacy-policy).date: 26 September 2017

‘Fouling civilisation’?: official attitudes towards popular film and literature

‘Fouling civilisation’?: official attitudes towards popular film and literature

Chapter:
(p.39) 2 ‘Fouling civilisation’?: official attitudes towards popular film and literature
Source:
Popular Culture and Working-Class Taste in Britain, 1930-39
Author(s):

Robert James

Publisher:
Manchester University Press
DOI:10.7228/manchester/9780719080258.003.0003

The state's relationship with cinema and literature revolved around two main issues. The first was economic; the second, and arguably most the important, was ideological. This chapter assesses official attitudes towards both cinema and popular fiction, providing information about the processes behind the production and distribution of these cultural goods. As cinema audiences grew in the 1920s, it became evident to many within the Establishment and film industry that the most popular films with British audiences were those produced in America. Unease was consequently expressed over the economic and ideological effects of this on the British film industry and the country. Establishment figures were blaming society's cinema-going habits for the cause of national decline and cultural debasement. According to them, Americans looked upon films as a purely commercial item, while they regard them partly, at least, as a cultural responsibility. It was assumed that the influence of these films would create the ‘Americanization’ of British culture, a situation which, if left unchecked, could weaken the existing social structure. The establishment also showed a vested interest in what type of fiction was made available to the working-class reader through the public library system, and it was not driven by a mere altruistic desire. Steps taken by the various government bodies show that they viewed the public library with some skepticism.

Keywords:   state, cinema, literature, cultural responsibility, commercial item

Manchester Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.

Please, subscribe or login to access full text content.

If you think you should have access to this title, please contact your librarian.

To troubleshoot, please check our FAQs, and if you can't find the answer there, please contact us.