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Lukácsian film theory and cinemaA study of Georg Lukács’ writings on film, 1913-71$
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Ian Aitken

Print publication date: 2012

Print ISBN-13: 9780719078842

Published to Manchester Scholarship Online: May 2013

DOI: 10.7228/manchester/9780719078842.001.0001

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PRINTED FROM MANCHESTER SCHOLARSHIP ONLINE (www.manchester.universitypressscholarship.com). (c) Copyright Manchester University Press, 2017. All Rights Reserved. Under the terms of the licence agreement, an individual user may print out a PDF of a single chapter of a monograph in MSO for personal use (for details see http://www.manchester.universitypressscholarship.com/page/privacy-policy).date: 17 November 2017

‘On Aesthetic Issues of the Cinema’

‘On Aesthetic Issues of the Cinema’

Chapter:
(p.218) 9 ‘On Aesthetic Issues of the Cinema’
Source:
Lukácsian film theory and cinema
Publisher:
Manchester University Press
DOI:10.7228/manchester/9780719078842.003.0009

This chapter presents the exchange of opinions between Georg Lukács and his student István Mészáros on the aesthetic issues of the cinema. These aesthetic issues include the layers and nature of film theory; the question of the public nature of the film; how film becomes art; the audio-visual character of the film; film reflection; phenomenon and substance in film; acceleration and slow motion; film and arts; the artistic language of the film; the form of the screen; theatricality; the subjectivity and objectivity of the film; artistic unity; and the problems of cinematographic drammaturgy.

Keywords:   Georg Lukács, István Mészáros, aesthetic issues, film, film theory, art, slow motion, theatricality, cinematographic drammaturgy

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