Jump to ContentJump to Main Navigation
Lukácsian film theory and cinemaA study of Georg Lukács’ writings on film, 1913-71$
Users without a subscription are not able to see the full content.

Ian Aitken

Print publication date: 2012

Print ISBN-13: 9780719078842

Published to Manchester Scholarship Online: May 2013

DOI: 10.7228/manchester/9780719078842.001.0001

Show Summary Details
Page of

PRINTED FROM MANCHESTER SCHOLARSHIP ONLINE (www.manchester.universitypressscholarship.com). (c) Copyright Manchester University Press, 2017. All Rights Reserved. Under the terms of the licence agreement, an individual user may print out a PDF of a single chapter of a monograph in MSO for personal use (for details see http://www.manchester.universitypressscholarship.com/page/privacy-policy).date: 23 February 2018

‘Cultural Manipulation and the Tasks of Critics’

‘Cultural Manipulation and the Tasks of Critics’

(p.237) 11 ‘Cultural Manipulation and the Tasks of Critics’
Lukácsian film theory and cinema
Manchester University Press

This chapter presents an essay written by Georg Luká as an introduction for Guido Aristarco's book where he discussed problems related to the aesthetics of the cinema. It also highlights Lukács' standpoint on the issue of ideological manipulation in which he conceives the social and political environment as dominated by an ‘overwhelming reality of manipulation’.

Keywords:   Guido Aristarco, aesthetics, cinema, manipulation

Manchester Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.

Please, subscribe or login to access full text content.

If you think you should have access to this title, please contact your librarian.

To troubleshoot, please check our FAQs, and if you can't find the answer there, please contact us.