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British Asian FictionTwenty-first Century Voices$
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Sara Upstone

Print publication date: 2010

Print ISBN-13: 9780719078323

Published to Manchester Scholarship Online: July 2012

DOI: 10.7228/manchester/9780719078323.001.0001

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Conclusion

Conclusion

Chapter:
(p.209) Conclusion
Source:
British Asian Fiction
Author(s):

Sara Upstone

Publisher:
Manchester University Press
DOI:10.7228/manchester/9780719078323.003.0011

In some ways, this book marks just a beginning. The British Asian authors it focuses on are all still writing, seven of them are under the age of fifty. Their presence has realised Salman Rushdie's ‘newness’: a reinvigoration of British fiction from a perspective that can be compared to neither the postcolonial writing of their parents' generation nor an earlier British literature written from a predominantly white, predominantly Christian, perspective. Such ‘newness’ takes many divergent forms, and cannot be reduced to a singular definition of the ‘British Asian text’. Rather, it offers complex interventions into issues not just of race or ethnicity, but also broader questions of gender, religion, community and – ultimately, as with all fiction – what it means to live. This beginning is marked, moreover, by the emergence of a number of new voices – all in their thirties, and all born in Britain.

Keywords:   Britain, British Asian, British Asian authors, Salman Rushdie, race, ethnicity, British literature, newness, British Asian text, gender

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