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The war that won't dieThe Spanish Civil War in cinema$
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David Archibald

Print publication date: 2012

Print ISBN-13: 9780719078088

Published to Manchester Scholarship Online: May 2013

DOI: 10.7228/manchester/9780719078088.001.0001

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Conclusion

Conclusion

Chapter:
(p.184) Conclusion
Source:
The war that won't die
Author(s):

Archibald David

Publisher:
Manchester University Press
DOI:10.7228/manchester/9780719078088.003.0011

This chapter sums up the book, gathering together the various threads. It argues that, while the memory and meaning of the Spanish Civil War remain hotly contested, the civil war setting will be one to which filmmakers increasingly turn. The chapter outlines how the civil war has, in more recent years, provided rich material for filmmakers to narrativise the conflict in order to both make more general points about the historical process and to propagate contemporary concerns. The book, which has also pointed to the changing nature of representations inside Spain, exploring how filmmakers such as Carlos Saura attempted to circumnavigate government censors under the dictatorship, concludes that the civil war has become a touchstone in the Western political imaginary. Inside Spain, the increased level of debate has provoked wider interest in the conflict.

Keywords:   Spanish Civil War, Spanish filmmakers, government censors, Carlos Saura, civil war, Spain

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