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David Brauner

Print publication date: 2007

Print ISBN-13: 9780719074240

Published to Manchester Scholarship Online: July 2012

DOI: 10.7228/manchester/9780719074240.001.0001

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Fantasies of flight and flights of fancy: rewriting history and retreating from trauma in The Plot Against America

Fantasies of flight and flights of fancy: rewriting history and retreating from trauma in The Plot Against America

Chapter:
(p.186) 6 Fantasies of flight and flights of fancy: rewriting history and retreating from trauma in The Plot Against America
Source:
Philip Roth
Author(s):

David Brauner

Publisher:
Manchester University Press
DOI:10.7228/manchester/9780719074240.003.0006

The publication of The Plot Against America (2004) was attended with more fanfare and controversy than any of Philip Roth's books since Portnoy's Complaint (1969). Just as Portnoy had been heralded as the publishing event of 1969 long before its actual appearance, so The Plot Against America was trailed by a carefully orchestrated marketing campaign which exploited rumours that the novel's title alluded to the events of 9/11 and which included the dissemination of extracts from the book prior to its publication. In spite of Roth's own repeated denials that the book was intended as an oblique or symbolic commentary on George W. Bush's ‘war against terror’, many early reviewers read the novel as, and many readers bought the book anticipating, a political allegory. This chapter looks at The Plot Against America alongside Jonathan Safran Foer's novel Extremely Loud and Incredibly Close (2005) as studies of the relationship between history and fiction, trauma and imagination. So many reviewers couched their critiques in terms of the realism, or otherwise, of Roth's and Foer's novels.

Keywords:   Philip Roth, Plot Against America, political allegory, Jonathan Safran Foer, Extremely Loud, history and fiction, Incredibly Close, trauma and imagination, realism

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