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Treading the BawdsActresses and Playwrights on the Late Stuart Stage$
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Gilli Bush-Bailey

Print publication date: 2006

Print ISBN-13: 9780719072505

Published to Manchester Scholarship Online: July 2012

DOI: 10.7228/manchester/9780719072505.001.0001

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Certainly not a conclusion

Certainly not a conclusion

Chapter:
(p.203) 8 Certainly not a conclusion
Source:
Treading the Bawds
Author(s):

Andrew Teverson

Publisher:
Manchester University Press
DOI:10.7228/manchester/9780719072505.003.0009

This chapter returns to wider questions raised in the Introduction concerning the materials and methods feminist historiography might continue to develop and pursue. The desire to move beyond the perceived limitations of mere recovery of women's work has already resulted in new ways of telling a wider story: here, a detailed look at the work of two actresses, a case study in which the connections between theatre women might usefully be considered. If we are to change the way that theatre women are included in today's stories, we must attend to how they have been marginalised in the stories of the past.

Keywords:   feminist historiography, theatre women, actresses

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