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Hollywood Romantic ComedyStates of the Union, 1934-65$
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Kathrina Glitre

Print publication date: 2006

Print ISBN-13: 9780719070785

Published to Manchester Scholarship Online: July 2012

DOI: 10.7228/manchester/9780719070785.001.0001

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The same, but different: marriage, remarriage and screwball comedy

The same, but different: marriage, remarriage and screwball comedy

Chapter:
(p.41) 2 The same, but different: marriage, remarriage and screwball comedy
Source:
Hollywood Romantic Comedy
Author(s):

Kathrina Glitre

Publisher:
Manchester University Press
DOI:10.7228/manchester/9780719070785.003.0014

This chapter reviews the tension between the union of the couple and the representation of marriage in screwball comedy. Marriage is commonly understood in the screwball world to involve misery, oppression and confinement; it is nice because it is legal and, therefore, respectable. At the same time, marriage no longer necessarily involves a lifetime commitment. There is an evident tension between the diegetic representation of marriage and the screwball narratives drive to unite the couple. Marriage is never a beautiful thing in screwball comedy; it is always a problem. No one simply falls in love, gets married and lives happily ever after. This very variation on the themes of marital duplicity and infidelity appears in screwball comedy. Indeed, there are hardly any happily married characters; it is a world peopled with widowed fathers, maiden aunts, bachelor butlers and maids.

Keywords:   couple, marriage, screwball comedy, lifetime commitment, marital duplicity

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