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Henri-Georges Clouzot$
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Christopher Lloyd

Print publication date: 2007

Print ISBN-13: 9780719070143

Published to Manchester Scholarship Online: July 2012

DOI: 10.7228/manchester/9780719070143.001.0001

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Suspense and surveillance: Les Diaboliques and Les Espions

Suspense and surveillance: Les Diaboliques and Les Espions

Chapter:
(p.111) 5 Suspense and surveillance: Les Diaboliques and Les Espions
Source:
Henri-Georges Clouzot
Author(s):

Christopher Lloyd

Publisher:
Manchester University Press
DOI:10.7228/manchester/9780719070143.003.0032

This chapter deals with suspense and surveillance in Les Diaboliques and Les Espions. Les Diaboliques was released in January 1955 and proved to be Clouzot's most commercially successful film but it's critical reception was mixed. While its combination of ingenious plot twists, moments of horror and black humour captivated cinema audiences, for many reviewers such features were taken as evidence that Clouzot's aspirations were cynically limited to meretricious manipulation of spectators' emotions in the cause of low-brow entertainment. Les Espions, released in October 1957, makes far less effort to engage or beguile the spectator. Although this film, like Les Diaboliques, is set in a run-down institution on the outskirts of Paris, and peopled by enigmatic and duplicitous characters that plot each other's downfall, its narrative and characterisation are deliberately disrupted and elliptical. Clouzot's intention was not to construct a pleasing puzzle but to convey an atmosphere of alienation and absurdist uncertainty.

Keywords:   suspense, surveillance, Les Diaboliques, Les Espions, low-brow entertainment

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