In her Society at War (1931), the social analyst Caroline Playne concluded that the experience of thinkers and artists who had languished under the Great War was just as real as that of the shattered soldiers. The Bloomsbury Group, perhaps typically, reacted to the Great War on an individual basis. Other people also based their objection to the conflict on aesthetic or humanistic grounds, and did so from a wider cross-section of the cultural landscape. Although most of these people were from the educated middle classes, similarly linked anti-war feelings occurred throughout the war and beyond, and emanated from differing contexts; from the equally well known to the obscure, from male to female and from those who fought to those who did not. With the advent of the Great War, conflicts of morality ensued. Those who volunteered for military service in the early months of the war voluntarily laid down individualistic claims for a variety of reasons, not least due to the pull of pre-war collectivist patriotism and a resulting sense of moral duty.
Manchester Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.
If you think you should have access to this title, please contact your librarian.
To troubleshoot, please check our FAQs, and if you can't find the answer there, please contact us.