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Fragmenting Modernism$
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Sara Haslam

Print publication date: 2009

Print ISBN-13: 9780719060557

Published to Manchester Scholarship Online: July 2012

DOI: 10.7228/manchester/9780719060557.001.0001

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Novel perspectives

Novel perspectives

Chapter:
(p.41) 2 Novel perspectives
Source:
Fragmenting Modernism
Author(s):

Sara Haslam

Publisher:
Manchester University Press
DOI:10.7228/manchester/9780719060557.003.0003

D. H. Lawrence's essay ‘Why the Novel Matters’ focuses on issues of communication and plurality as displayed by the effective novel. The relationship between Lawrence and Ford Madox Ford was sometimes close, and at times was difficult. It began when Ford first published Lawrence in the English Review and ‘introduced him to literary London’. What is communicated in Ford's novels, and how? This chapter examines the resultant dramatic thrust of the contemporary Fifth Queen trilogy, the eye for colour, for detail, for patterns. The psycho-political geography of Ford's writing is thus confirmed in its period of relative certainty, especially when compared with the suicides of Edward and Florence in The Good Soldier and the suicide of Christopher Tietjens's father in Parade's End. These later novels are distinguishable from the Fifth Queen trilogy primarily due to their more complex interweaving of levels. As another manifestation of modernist fragmentation, one fomented by psychoanalysis and sexology, the four main characters are read partly as four parts of the same psyche, individually and oppositionally gaining (at times violent) expression.

Keywords:   Ford Madox Ford, D. H. Lawrence, novels, Fifth Queen, Good Soldier, Parade's End, fragmentation, psychoanalysis, sexology, psyche

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