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Postcolonial ContraventionsCultural Readings of Race, Imperialism and Transnationalism$
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Laura Chrisman

Print publication date: 2003

Print ISBN-13: 9780719058271

Published to Manchester Scholarship Online: July 2012

DOI: 10.7228/manchester/9780719058271.001.0001

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Tale of the city: the imperial metropolis of Heart of Darkness

Tale of the city: the imperial metropolis of Heart of Darkness

Chapter:
(p.21) 1 Tale of the city: the imperial metropolis of Heart of Darkness
Source:
Postcolonial Contraventions
Author(s):

Laura Chrisman

Publisher:
Manchester University Press
DOI:10.7228/manchester/9780719058271.003.0002

This chapter outlines some of the ways in which late nineteenth-century European imperialism inheres in the textures of daily labour and leisure in Conrad's novella, suggesting that the Company's structures and agents, including Kurtz, need to be reinterpreted through this imperial metropolitan perspective. Ultimately, what animates and controls the Company and Kurtz are urban corporate power, public opinion and consumption. The chapter proposes the reading of Heart of Darkness as a path-clearing exercise for future critical and theoretical analyses of metropolitan imperialism. It justifies this modest activity on the grounds that it is precisely, and only, through close reading that the full import of the interplay of the metropolis and imperialism can be traced. The challenge Conrad's novella sets is to decasualize imperialism, expose its banality and recentre the metropole as its primary agent.

Keywords:   imperial metropolis, Heart of Darkness, decasualize imperialism, banality, metropolitan imperialism, urban corporate power

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