Jump to ContentJump to Main Navigation
Postcolonial ContraventionsCultural Readings of Race, Imperialism and Transnationalism$
Users without a subscription are not able to see the full content.

Laura Chrisman

Print publication date: 2003

Print ISBN-13: 9780719058271

Published to Manchester Scholarship Online: July 2012

DOI: 10.7228/manchester/9780719058271.001.0001

Show Summary Details
Page of

PRINTED FROM MANCHESTER SCHOLARSHIP ONLINE (www.manchester.universitypressscholarship.com). (c) Copyright Manchester University Press, 2017. All Rights Reserved. Under the terms of the licence agreement, an individual user may print out a PDF of a single chapter of a monograph in MSO for personal use (for details see http://www.manchester.universitypressscholarship.com/page/privacy-policy).date: 23 September 2017

You can get there from here: critique and utopia in Benita Parry's thought

You can get there from here: critique and utopia in Benita Parry's thought

Chapter:
(p.164) 11 You can get there from here: critique and utopia in Benita Parry's thought
Source:
Postcolonial Contraventions
Author(s):

Laura Chrisman

Publisher:
Manchester University Press
DOI:10.7228/manchester/9780719058271.003.0012

This chapter focuses on the interplay of critique and affirmation in Parry's work. It begins by looking at her analysis of ethnic solipsism in the metropole, while also discussing her contribution to the understanding of resistance. Parry is concerned to analyse the problem of the left's non-engagement with colonialism, locating as crucial the ‘shift away from the political’ in European Marxism that began in the 1930s. Her accounts of metropolitan fiction writers demonstrate the refusal to subscribe to white racial or European continental essentialism. Furthermore, in Parry's resistance writings, changes of style that are also changes in political conceptualization can be seen. Her Oxford Literary Review makes heavy use of the ‘discourse’ word, which it uses interchangeably to designate aesthetic literature and anti-colonial political thought. Taking up Parry's critical cue, it is suggested that her relative lack of engagement with the aesthetic accomplishments of anti-colonial and post-colonial cultures is perhaps where her own historical utopian imagination gives way to a critical sensibility nourished by more restrictive metropolitan aesthetic values.

Keywords:   ethnic solipsism, colonialism, European continental essentialism, political conceptualization, aesthetic literature, colonial culture, metropolitan aesthetic values

Manchester Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.

Please, subscribe or login to access full text content.

If you think you should have access to this title, please contact your librarian.

To troubleshoot, please check our FAQs, and if you can't find the answer there, please contact us.