A. James Hammerton
- Published in print:
- 2017
- Published Online:
- January 2018
- ISBN:
- 9781526116574
- eISBN:
- 9781526128409
- Item type:
- book
- Publisher:
- Manchester University Press
- DOI:
- 10.7228/manchester/9781526116574.001.0001
- Subject:
- Sociology, Migration Studies (including Refugee Studies)
This is the first social history to explore the experience of British emigrants from the peak years of the 1960s to the emigration resurgence of the turn of the twentieth century. It scrutinises ...
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This is the first social history to explore the experience of British emigrants from the peak years of the 1960s to the emigration resurgence of the turn of the twentieth century. It scrutinises migrant experiences in Australia, Canada and New Zealand alongside other countries. The book challenges the assumption that the ‘British diaspora’ ended in the 1960s, and explores its gradual reinvention from a postwar migration of austerity to a modern migration of prosperity. Building on previous oral histories of British emigration to single countries in postwar years, it offers a different way of writing migration history, based on life histories but exploring mentalities as well as experiences, against a setting of deep social and economic change. The book charts the decade-by-decade shift in the migration landscape, from the 1970s loss of Britons’ privilege in destination countries and the 1980s urgency of ‘Thatcher’s refugees’, to shifting attitudes to cosmopolitanism and global citizenship by the 1990s. Key moments are the rise of expatriate employment, changing dynamics of love and marriage, the visibility of British emigrants of colour, serial migration practices, enhanced independence among women migrants and ‘lifestyle’ change ambitions. These are new patterns of discretionary and nomadic migration, which became more common practice generally from the end of the twentieth century.Less
This is the first social history to explore the experience of British emigrants from the peak years of the 1960s to the emigration resurgence of the turn of the twentieth century. It scrutinises migrant experiences in Australia, Canada and New Zealand alongside other countries. The book challenges the assumption that the ‘British diaspora’ ended in the 1960s, and explores its gradual reinvention from a postwar migration of austerity to a modern migration of prosperity. Building on previous oral histories of British emigration to single countries in postwar years, it offers a different way of writing migration history, based on life histories but exploring mentalities as well as experiences, against a setting of deep social and economic change. The book charts the decade-by-decade shift in the migration landscape, from the 1970s loss of Britons’ privilege in destination countries and the 1980s urgency of ‘Thatcher’s refugees’, to shifting attitudes to cosmopolitanism and global citizenship by the 1990s. Key moments are the rise of expatriate employment, changing dynamics of love and marriage, the visibility of British emigrants of colour, serial migration practices, enhanced independence among women migrants and ‘lifestyle’ change ambitions. These are new patterns of discretionary and nomadic migration, which became more common practice generally from the end of the twentieth century.
Annedith Schneider
- Published in print:
- 2016
- Published Online:
- January 2017
- ISBN:
- 9781784991494
- eISBN:
- 9781526115348
- Item type:
- book
- Publisher:
- Manchester University Press
- DOI:
- 10.7228/manchester/9781784991494.001.0001
- Subject:
- Sociology, Migration Studies (including Refugee Studies)
This book argues for a cultural, rather than a sociological or economic, approach to understand how immigrants become part of new country. It argues that the language used to talk about immigration ...
More
This book argues for a cultural, rather than a sociological or economic, approach to understand how immigrants become part of new country. It argues that the language used to talk about immigration determines the kinds of things that can be said about it. In contrast to the language of integration or assimilation which evaluates an immigrant’s success in relation to a static endpoint (e.g. integrated or not), ‘settling’ makes it possible to see how immigrants and their descendants engage in an ongoing process of adaptation. In order to understand this process of settling, it is important to pay particular attention to immigrants not only as consumers, but also as producers of culture, since artistic production provides a unique and nuanced perspective on immigrants’ sense of home and belonging, especially within the multi-generational process of settling. In order to anchor these larger theoretical questions in actual experience, this book looks at music, theatre and literature by artists of Turkish immigrant origin in France.Less
This book argues for a cultural, rather than a sociological or economic, approach to understand how immigrants become part of new country. It argues that the language used to talk about immigration determines the kinds of things that can be said about it. In contrast to the language of integration or assimilation which evaluates an immigrant’s success in relation to a static endpoint (e.g. integrated or not), ‘settling’ makes it possible to see how immigrants and their descendants engage in an ongoing process of adaptation. In order to understand this process of settling, it is important to pay particular attention to immigrants not only as consumers, but also as producers of culture, since artistic production provides a unique and nuanced perspective on immigrants’ sense of home and belonging, especially within the multi-generational process of settling. In order to anchor these larger theoretical questions in actual experience, this book looks at music, theatre and literature by artists of Turkish immigrant origin in France.